Sik was never meant for the brutal pragmatism of the Blackroot Marshes. While her clutch-mates were learning to calculate the buoyancy of a drowning deer, Sik was staring at the way the reeds' shadows danced on the stagnant water. Hatched during a total solar eclipse, her scales absorbed the void, turning an iridescent, oily obsidian that pulsed with a faint, violet rhythm. Her tribe viewed her as a broken omen, but Sik simply found the darkness to be the most comforting blanket she’d ever worn.
The turning point came when a wandering troupe of minstrels passed near the marsh. Sik didn't care for their music, but she heard the laughter of the village children nearby—a sound she describes as 'the clicking of a thousand iridescent beetle wings.' To her, it was the most beautiful sound in existence. She realized that her kin’s world of teeth and hunger was silent, and she hungered for the symphony of joy. She gathered her few possessions, including a lucky platinum coin she found in a submerged ruin, and set off to find the source of that 'clicking.'
Now, she dwells in a cluttered attic above a clockmaker’s shop in a bustling city. She has traded bone spears for sewing needles and shadow-weaving. She creates dolls and clockwork knights infused with bits of her own shadow-essence, imbuing them with a mimicry of life. She believes with a child-like purity that if she can just create one toy so wondrous that it makes a child laugh instead of scream, the world will finally see the light hidden within her obsidian skin.